The Opera Tattler: Giulio Cesare at The Met.
Paris Giulio Cesare Hugh Canning. Natalie Dessay’s repertoire seems to be in a state of flux. Although she recently returned to Lucia di Lammermoor at the Met, her first Cleopatra perhaps suggests a realignment of priorities, away from the high-flying bel canto roles towards music of less wide-ranging compass, if no less demanding technically and musically.
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